Moving Computer Wallpaper Biography
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The operas and songs from the operas have often been used or parodied in advertising.[47][162] According to Jones, "Pinafore launched the first media blitz in the United States" beginning in 1879.[163] For example, Gimbels department store had a campaign sung to the tune of the Major-General's Song that began, "We are the very model of a modern big department store."[82] in a 2011 Geico commercial, a couple that wants to save money, but still listen to musicals, finds a roommate, dressed as the Major General, who awkwardly begins the song while dancing on a coffee table.[164] Similarly, Martyn Green sang a pastiche of the song listing all of the varieties of Campbell's Soup.[83] Another prominent example is the elaborate illustrated book, called My Goodness! My Gilbert and Sullivan! of parodies of Gilbert's lyrics advertising Guinness stout.[165] The likenesses (often in costume) of, or endorsements by, numerous Gilbert and Sullivan performers were used in advertising throughout the decades.[166] Trading cards were also created, using images from some of the operas to advertise various products.[167] There was also a series of Currier and Ives prints.[citation needed] Several series of cigarette cards were issued by Player's cigarette company depicting characters from the Savoy operas wearing the costumes used by the D'Oyly Carte Opera Company.[168] Numerous postcards were published with photos or illustrations of D'Oyly Carte and other performers and scenes from the operas and other Gilbert plays.[169] More recently, television ads for Terry's Chocolate Orange from the 2000s featured a pastiche of "When I Was a Lad" from Pinafore.[170]
Both Nelson Eddy and Danny Kaye recorded albums of selections from the Gilbert and Sullivan operas. Al Goodman[171] and Groucho Marx also released Gilbert and Sullivan recordings.[172] The operas are referred to in other popular media, including video games. For example, in Grand Theft Auto: San Andreas, a casino is called "Pirates in Men’s Pants", a crude play on Pirates of Penzance. The 1970s popular music singer Gilbert O'Sullivan adopted his stage name as a pun on "Gilbert and Sullivan" when his manager suggested that it would be good marketing.rnold, David L. G. (2003). ""Use a pen, Sideshow Bob: The Simpsons and the Threat of High Culture". In Alberti, John. Leaving Springfield: The Simpsons and the Possibility of Oppositional Culture. Wayne State University Press. ISBN 978-0-8143-2849-1.
Bradley, Ian (2005). Oh Joy! Oh Rapture!: The Enduring Phenomenon of Gilbert and Sullivan. Oxford, England: Oxford University Press. ISBN 978-0-19-516n (1914). Gilbert and Sullivan and Their Operas. London: Sir Isaac Pitman & sons, ltd.Ganzl, Kurt. Ganzl's Book of the Broadway Musical: 75 Favorite From Pinafore to Porter: United States-United Kingdom Interactions in Musical Theater, 1879-1929" in American Music, Vol. 4, No. 1, British-American Musical Interactions (Spring, 1986), pp. 34–49 University of Illinois Press.Lockett, Bernard (2007). Here's a State of Things, Melrose Books, Ely ISBN 978-1-905226-96- Murray, William (1990). The Getaway Blues, Bantam ISBN 978-0-553-07029-3 Reed, John (2006). Nothing Whatever to Grumble At: His Story, as told to Cynthia Morey. London: Xlibris Corporation. ISBN 978-1-4257-0256-Suart, Richard and Smyth, A.S.H. They’d none of ‘em be missed, Pallas Athene. ISBN 978-1-84368-036-9
Source(Google.com.pk)
The operas and songs from the operas have often been used or parodied in advertising.[47][162] According to Jones, "Pinafore launched the first media blitz in the United States" beginning in 1879.[163] For example, Gimbels department store had a campaign sung to the tune of the Major-General's Song that began, "We are the very model of a modern big department store."[82] in a 2011 Geico commercial, a couple that wants to save money, but still listen to musicals, finds a roommate, dressed as the Major General, who awkwardly begins the song while dancing on a coffee table.[164] Similarly, Martyn Green sang a pastiche of the song listing all of the varieties of Campbell's Soup.[83] Another prominent example is the elaborate illustrated book, called My Goodness! My Gilbert and Sullivan! of parodies of Gilbert's lyrics advertising Guinness stout.[165] The likenesses (often in costume) of, or endorsements by, numerous Gilbert and Sullivan performers were used in advertising throughout the decades.[166] Trading cards were also created, using images from some of the operas to advertise various products.[167] There was also a series of Currier and Ives prints.[citation needed] Several series of cigarette cards were issued by Player's cigarette company depicting characters from the Savoy operas wearing the costumes used by the D'Oyly Carte Opera Company.[168] Numerous postcards were published with photos or illustrations of D'Oyly Carte and other performers and scenes from the operas and other Gilbert plays.[169] More recently, television ads for Terry's Chocolate Orange from the 2000s featured a pastiche of "When I Was a Lad" from Pinafore.[170]
Both Nelson Eddy and Danny Kaye recorded albums of selections from the Gilbert and Sullivan operas. Al Goodman[171] and Groucho Marx also released Gilbert and Sullivan recordings.[172] The operas are referred to in other popular media, including video games. For example, in Grand Theft Auto: San Andreas, a casino is called "Pirates in Men’s Pants", a crude play on Pirates of Penzance. The 1970s popular music singer Gilbert O'Sullivan adopted his stage name as a pun on "Gilbert and Sullivan" when his manager suggested that it would be good marketing.rnold, David L. G. (2003). ""Use a pen, Sideshow Bob: The Simpsons and the Threat of High Culture". In Alberti, John. Leaving Springfield: The Simpsons and the Possibility of Oppositional Culture. Wayne State University Press. ISBN 978-0-8143-2849-1.
Bradley, Ian (2005). Oh Joy! Oh Rapture!: The Enduring Phenomenon of Gilbert and Sullivan. Oxford, England: Oxford University Press. ISBN 978-0-19-516n (1914). Gilbert and Sullivan and Their Operas. London: Sir Isaac Pitman & sons, ltd.Ganzl, Kurt. Ganzl's Book of the Broadway Musical: 75 Favorite From Pinafore to Porter: United States-United Kingdom Interactions in Musical Theater, 1879-1929" in American Music, Vol. 4, No. 1, British-American Musical Interactions (Spring, 1986), pp. 34–49 University of Illinois Press.Lockett, Bernard (2007). Here's a State of Things, Melrose Books, Ely ISBN 978-1-905226-96- Murray, William (1990). The Getaway Blues, Bantam ISBN 978-0-553-07029-3 Reed, John (2006). Nothing Whatever to Grumble At: His Story, as told to Cynthia Morey. London: Xlibris Corporation. ISBN 978-1-4257-0256-Suart, Richard and Smyth, A.S.H. They’d none of ‘em be missed, Pallas Athene. ISBN 978-1-84368-036-9
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