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Cellier and Bridgeman wrote, in 1914, that prior to the creation of the Savoy operas, amateur actors were treated with contempt by professionals. After the formation of amateur Gilbert and Sullivan troupes in the 1880s licensed to perform the operas, professionals recognised that the amateur groups "support the culture of music and the drama. They are now accepted as useful training schools for the legitimate stage, and from the volunteer ranks have sprung many present-day favourites."[27] Cellier and Bridgeman attributed the rise in quality and reputation of the amateur groups largely to "the popularity of, and infectious craze for performing, the Gilbert and Sullivan operas".[28] The National Operatic and Dramatic Association was founded in 1899. It reported, in 1914, that nearly 200 British amateur troupes were producing Gilbert and Sullivan operas that year.[28] There continue to be hundreds of amateur groups or societies performing the Gilbert and Sullivan works worldwide.[29][30]It is not surprising, given the focus of Gilbert on politics, that politicians, cartoonists and political pundits have often found inspiration in these works.[31] The phrase "A short, sharp shock," from the Act I song "I am so proud" in The Mikado, has been used in political manifestoes. Likewise "Let the punishment fit the crime," from the title character's Act II song, is particularly mentioned in the course of British political debates.[2] Political humour based on Gilbert and Sullivan's style and characters continues to be written.[32] In 1996, Virginia Bottomley, heritage secretary under John Major, sent up Tony Blair in a parody of "When I Was a Lad" from Pinafore.[33] In October 2010, Ron Butler released a YouTube video pastiche of the Major-General's Song in character as, and mildly lampooning, President Obama.[34]
U.S. Supreme Court Justice William Rehnquist, a lifelong fan of Gilbert and Sullivan, quoted lyrics from the operas in law cases, parodied the lyrics in his writings at the Court, and added gold stripes to his judicial robes after seeing them used by the Lord Chancellor in a production of Iolanthe.[35][36] The Lord Chancellor Lord Falconer, on the other side of the Atlantic, objected so strongly to Iolanthe's comic portrayal of Lord Chancellors (like himself) that he supported moves to disband the office.[2] British politicians, beyond quoting some of the more famous lines, have also delivered speeches in the form of Gilbert and Sullivan parodies. These include Conservative Peter Lilley's pastiche of "I've got a little list" from The Mikado, listing those he was against, including "sponging socialists" and "young ladies who get pregnant just to jump the housing queue".[2]
Other government references include postage stamps issued to memorialize the operas and various other uses by government entities. For instance, the arms granted to the municipal borough of Penzance in 1934 contain a pirate dressed in Gilbert's original costuming, and Penzance had a rugby team called the Penzance Pirates, which is now called the Cornish Pirates.
The law, judges, and lawyers are frequently subjects in the operas (Gilbert briefly practiced as a lawyer), and the operas have been quoted and otherwise mentioned in a large number of legal rulings and opinions.[37] Some courts appear to reach approximately the same conclusions as Gilbert and Sullivan: "Where does this extraordinary situation leave the lower... Courts and State Courts in their required effort to apply the decisions of the Supreme Court of the United States...? Like the policeman in Gilbert and Sullivan's The Pirates of Penzance, their 'lot is not a happy one.'"[38] A few refer to the law as shown in Gilbert and Sullivan as being archaic.[39]
The pronouncements of the Lord Chancellor in "Iolanthe" appear to be a particular favourite in legal quotations.[40] One U.S. Supreme Court case even discussed a contempt citation imposed on a pro se defendant who, among other conduct, compared the judge to something out of Gilbert and Sullivan.[41] In May 2010, a parody version of the song was posted as an op-ed piece in the Richmond Times-Dispatch mocking actions of the Attorney General of Virginia, Ken Cuccinelli.[42]
Phrases from the operas
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Cellier and Bridgeman wrote, in 1914, that prior to the creation of the Savoy operas, amateur actors were treated with contempt by professionals. After the formation of amateur Gilbert and Sullivan troupes in the 1880s licensed to perform the operas, professionals recognised that the amateur groups "support the culture of music and the drama. They are now accepted as useful training schools for the legitimate stage, and from the volunteer ranks have sprung many present-day favourites."[27] Cellier and Bridgeman attributed the rise in quality and reputation of the amateur groups largely to "the popularity of, and infectious craze for performing, the Gilbert and Sullivan operas".[28] The National Operatic and Dramatic Association was founded in 1899. It reported, in 1914, that nearly 200 British amateur troupes were producing Gilbert and Sullivan operas that year.[28] There continue to be hundreds of amateur groups or societies performing the Gilbert and Sullivan works worldwide.[29][30]It is not surprising, given the focus of Gilbert on politics, that politicians, cartoonists and political pundits have often found inspiration in these works.[31] The phrase "A short, sharp shock," from the Act I song "I am so proud" in The Mikado, has been used in political manifestoes. Likewise "Let the punishment fit the crime," from the title character's Act II song, is particularly mentioned in the course of British political debates.[2] Political humour based on Gilbert and Sullivan's style and characters continues to be written.[32] In 1996, Virginia Bottomley, heritage secretary under John Major, sent up Tony Blair in a parody of "When I Was a Lad" from Pinafore.[33] In October 2010, Ron Butler released a YouTube video pastiche of the Major-General's Song in character as, and mildly lampooning, President Obama.[34]
U.S. Supreme Court Justice William Rehnquist, a lifelong fan of Gilbert and Sullivan, quoted lyrics from the operas in law cases, parodied the lyrics in his writings at the Court, and added gold stripes to his judicial robes after seeing them used by the Lord Chancellor in a production of Iolanthe.[35][36] The Lord Chancellor Lord Falconer, on the other side of the Atlantic, objected so strongly to Iolanthe's comic portrayal of Lord Chancellors (like himself) that he supported moves to disband the office.[2] British politicians, beyond quoting some of the more famous lines, have also delivered speeches in the form of Gilbert and Sullivan parodies. These include Conservative Peter Lilley's pastiche of "I've got a little list" from The Mikado, listing those he was against, including "sponging socialists" and "young ladies who get pregnant just to jump the housing queue".[2]
Other government references include postage stamps issued to memorialize the operas and various other uses by government entities. For instance, the arms granted to the municipal borough of Penzance in 1934 contain a pirate dressed in Gilbert's original costuming, and Penzance had a rugby team called the Penzance Pirates, which is now called the Cornish Pirates.
The law, judges, and lawyers are frequently subjects in the operas (Gilbert briefly practiced as a lawyer), and the operas have been quoted and otherwise mentioned in a large number of legal rulings and opinions.[37] Some courts appear to reach approximately the same conclusions as Gilbert and Sullivan: "Where does this extraordinary situation leave the lower... Courts and State Courts in their required effort to apply the decisions of the Supreme Court of the United States...? Like the policeman in Gilbert and Sullivan's The Pirates of Penzance, their 'lot is not a happy one.'"[38] A few refer to the law as shown in Gilbert and Sullivan as being archaic.[39]
The pronouncements of the Lord Chancellor in "Iolanthe" appear to be a particular favourite in legal quotations.[40] One U.S. Supreme Court case even discussed a contempt citation imposed on a pro se defendant who, among other conduct, compared the judge to something out of Gilbert and Sullivan.[41] In May 2010, a parody version of the song was posted as an op-ed piece in the Richmond Times-Dispatch mocking actions of the Attorney General of Virginia, Ken Cuccinelli.[42]
Phrases from the operas
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