Abstract Computer Wallpaper Biography
Source(Google.com.pk)
The abstract computer whigs became the first non-Northwestern U.S. band to record for the Sub Pop label. Sub Pop put out Afghan Whigs’ second album Up in It: largely recorded by Nirvana producer Jack Endino and featuring the college-radio hit “Retarded,” Up in It received a favorable reception with music critics upon release.To support the album’s release, Afghan Whigs went on a package tour with grunge originators Mudhoney and Boston underground band Bullet LaVolta Up in It was followed by a limited edition single released by No.6 Records under the name 'Ornament' which included vocals by Scrawl singer Marcy Mays (who would later contribute lead vocals to future Afghan Whigs’ classic “My Curse” off the album Gentlemen).With the album Congregation and a covers EP, Uptown Avondale, the band intentionally evolved what would become their signature sound, blending soul with psychedelic sprawl and punk abandon.[21] Critics noted the Whigs’ innovative combination of Stax and Motown influences with indie-rock sonics on their own material;[22] as well, the band received raves for the soul covers captured on Uptown Avondale, in particular its ability to contemporize hits by such legendary soul acts as The Supremes.Videos for notable Congregation songs like “Conjure Me” and “Turn On The Water” would receive airplay on MTV, which began to regularly cover The Afghan Whigs as a new band to watch.[24] Afghan Whigs would also tour extensively during this period, including a U.S. jaunt with legendary Scottish indie rockers Teenage Fanclub.[25]Building on the buzz that welcomed Congregation, The Afghan Whigs soon signed to a major label, Elektra Records, following a bidding war that resulted in a contract so lucrative, it featured a clause that allowed for the funding of a Dulli-scripted feature film.[26] that ultimately was never made.[27] For their major label debut, The Afghan Whigs ensconced themselves in Memphis’ legendary Ardent Studios, the birthplace of classics from Big Star, Bob Dylan, Led Zeppelin, and ZZ Top.[28] The result of those sessions was the 1993 album Gentlemen.Considered The Afghan Whigs’ true classic, Gentlemen went on to become one of the year’s most acclaimed albums, including raves from the likes of Rolling Stone,:[29] critics would go on to praise it for its unflinching, self-flagellating lyrics and a decisive stylistic break with the grunge style epitomized by Nirvana and Mudhoney.[30][31][32] Gentlemen would place at No. 17 on The Village Voice’s revered “Pazz & Jop” critic’s poll for 1993,[33] and would eventually be considered one of the greatest albums of the ‘90s era.Gentlemen proved to be The Afghan Whigs’ most commercially successful release. The singles “Debonair” (a Modern Rock Top 20 hit) and “Gentlemen” received regular airplay on MTV and college radio; another key album track, “Fountain and Fairfax,” also appeared on the television series My So-Called Life in 1994.[35] Another notable song was the track “My Curse,” whose lead vocals were notably sung not by Dulli but female singer Marcy Mays of Scrawl – allegedly because the lyrics documenting the violent dissolution of a relationship were so personal, Dulli couldn’t sing it.
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Source(Google.com.pk)
The abstract computer whigs became the first non-Northwestern U.S. band to record for the Sub Pop label. Sub Pop put out Afghan Whigs’ second album Up in It: largely recorded by Nirvana producer Jack Endino and featuring the college-radio hit “Retarded,” Up in It received a favorable reception with music critics upon release.To support the album’s release, Afghan Whigs went on a package tour with grunge originators Mudhoney and Boston underground band Bullet LaVolta Up in It was followed by a limited edition single released by No.6 Records under the name 'Ornament' which included vocals by Scrawl singer Marcy Mays (who would later contribute lead vocals to future Afghan Whigs’ classic “My Curse” off the album Gentlemen).With the album Congregation and a covers EP, Uptown Avondale, the band intentionally evolved what would become their signature sound, blending soul with psychedelic sprawl and punk abandon.[21] Critics noted the Whigs’ innovative combination of Stax and Motown influences with indie-rock sonics on their own material;[22] as well, the band received raves for the soul covers captured on Uptown Avondale, in particular its ability to contemporize hits by such legendary soul acts as The Supremes.Videos for notable Congregation songs like “Conjure Me” and “Turn On The Water” would receive airplay on MTV, which began to regularly cover The Afghan Whigs as a new band to watch.[24] Afghan Whigs would also tour extensively during this period, including a U.S. jaunt with legendary Scottish indie rockers Teenage Fanclub.[25]Building on the buzz that welcomed Congregation, The Afghan Whigs soon signed to a major label, Elektra Records, following a bidding war that resulted in a contract so lucrative, it featured a clause that allowed for the funding of a Dulli-scripted feature film.[26] that ultimately was never made.[27] For their major label debut, The Afghan Whigs ensconced themselves in Memphis’ legendary Ardent Studios, the birthplace of classics from Big Star, Bob Dylan, Led Zeppelin, and ZZ Top.[28] The result of those sessions was the 1993 album Gentlemen.Considered The Afghan Whigs’ true classic, Gentlemen went on to become one of the year’s most acclaimed albums, including raves from the likes of Rolling Stone,:[29] critics would go on to praise it for its unflinching, self-flagellating lyrics and a decisive stylistic break with the grunge style epitomized by Nirvana and Mudhoney.[30][31][32] Gentlemen would place at No. 17 on The Village Voice’s revered “Pazz & Jop” critic’s poll for 1993,[33] and would eventually be considered one of the greatest albums of the ‘90s era.Gentlemen proved to be The Afghan Whigs’ most commercially successful release. The singles “Debonair” (a Modern Rock Top 20 hit) and “Gentlemen” received regular airplay on MTV and college radio; another key album track, “Fountain and Fairfax,” also appeared on the television series My So-Called Life in 1994.[35] Another notable song was the track “My Curse,” whose lead vocals were notably sung not by Dulli but female singer Marcy Mays of Scrawl – allegedly because the lyrics documenting the violent dissolution of a relationship were so personal, Dulli couldn’t sing it.
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